My sculptures emerge from the same space as my work with people: the space of presence, of not knowing and of slowly approaching what wants to show itself.

Forms grow under my hands - layer by layer, sometimes raw, sometimes delicate - as an expression of inner movements. The artistic process itself is a listening, an embodiment, a dialogue between matter and sensation.

In my trauma-sensitive work, these sculptures are more than works:

They are resonating bodies.

You remember.

They accompany you.

They open up spaces.

Some of these forms flow directly into the accompaniment as a mirror, as an impulse, as a counterpart. Others arise quietly, in the background, and nourish my presence in contact with people and horses.

For me, art and process are inseparable. Both require dedication, presence and trust in what is moving in the depths.